- #DXO PHOTOLAB VS DXO VIEWPOINT HOW TO#
- #DXO PHOTOLAB VS DXO VIEWPOINT MANUAL#
- #DXO PHOTOLAB VS DXO VIEWPOINT FULL#
- #DXO PHOTOLAB VS DXO VIEWPOINT SOFTWARE#
- #DXO PHOTOLAB VS DXO VIEWPOINT ISO#
DxO DeepPRIME XDĭxO’s DeepPRIME technology does an excellent job of denoising images while and enhancing detail and the new DeepPRIME XD (eXtreme Details) mode is said to improve image quality even further.ĭeepPRIME XD uses a neural network that has been developed through analysis of billions of images and it’s claimed to deliver more than 2.5EV improvement in high-ISO image quality.
#DXO PHOTOLAB VS DXO VIEWPOINT SOFTWARE#
PhotoLab 6 is the company’s flagship raw file editing and workflow software while ViewPoint 4 is the latest version of its geometric and perspective correction software.Ĭhief amongst the updates made by DxO PhotoLab 6 is the introduction of DxO DeepPRIME XD, an AI-powered raw conversion and noise reduction technology, a new colour management system, new retouching tools and an upgraded image organisation system. It’s hard to love the new PhotoLibrary tools, such as they are, but PhotoLab’s core image processing and correction technologies are just superb.DxO Labs has announced DxO PhotoLab 6 and ViewPoint 4. It’s not cheap, but DxO does run special offers worth looking out for.ĭxO has always done things its own way.
#DXO PHOTOLAB VS DXO VIEWPOINT FULL#
If you download the trial version and decide to buy, you should consider the full DxO Photo Suite Elite product which comes with everything. The Elite version is more expensive but the better option, and even then you miss out on the analog effects and film simulations in DxO FilmPack and the perspective corrections in ViewPoint. DxO PhotoLab Essentials is the cheapest option but doesn’t have DxO’s excellent ClearView Plus and PRIME Denoise technologies, or in-depth colour management options. It’s also important to pick the right software bundle. PhotoLab can get the best possible image quality even from ordinary cameras, and its local adjustment tools make it a great standalone photo editor, not just a high end raw processing tool.Īdding more features to a program does not necessarily make it better because they need to be of the same standard as what’s already there. The trouble is that this undermines PhotoLab’s essential qualities – its superb RAW processing and lens corrections and its rather good local adjustment tools. If DxO intends it to evolve into a proper image cataloguing or digital asset management (DAM) system, it’s got some way to go. PhotoLab’s new PhotoLibrary feature feels unfinished. Worse, you can’t choose which folders or volumes are included in the search, so if you keep a separate backup on your system, PhotoLab may find two versions of every shot.
#DXO PHOTOLAB VS DXO VIEWPOINT ISO#
You can search for camera shooting information such as lens focal length, shutter speed and ISO setting, the date shots were taken and any ratings you’ve applied, but PhotoLab does not yet support keyword searches. What’s new is the live search tool, but this feels both indiscriminate and incomplete. These are like albums and collections in other programs, except that they can only be added in a simple linear list and not organised into a hierarchical filing system. PhotoLab has regular folder browsing already, which is fine for many users, plus ‘Projects’ for bringing images together ‘virtually’. The other issue is the PhotoLibrary feature, which is a disappointment. The 'PhotoLibrary' feature in PhotoLab 2 is essentially a kind of autofill search tool, but it does not feel finished yet.
#DXO PHOTOLAB VS DXO VIEWPOINT HOW TO#
It’s a long, long way from novice-orientated programs like Photoshop Elements or Skylum Luminar, for example, and it’s clearly designed for photographers who know what they want to do and how to do it.
#DXO PHOTOLAB VS DXO VIEWPOINT MANUAL#
It’s easy to apply automatic corrections and preset ‘looks’ in DxO PhotoLab, but the manual adjustments are detailed and technical. If you have the FilmPack and ViewPoint add-ons installed, these have their own palettes too.Īlong the top of the screen is a slim tools panel containing zoom tools, crop and straighten tools, Local Adjustments and more, while along the bottom of the screen is a thumbnail filmstrip showing the contents of the c currently selected folder. The default workspace displays a Histogram panel here, Essential Tools, Light, Colour, Detail and Geometry palettes.
Over on the right side of the screen is the main tools area, containing a stack of collapsible palettes, each with is own set of tools which can be expanded or contracted via little arrows. The real editing work, though, is done in the Customize tab. You use the PhotoLibrary tab to browse your image folders, organise images into Projects (‘virtual’ albums) and use the new search tool. The PhotoLab interface is organised into two tabs. You can use it for simple one-click corrections, but getting the best from it demands a bit more expertise.
PhotoLab is pretty technical, and it’s aimed more at experts than beginners. The FilmPack 5 add-on integrates with PhotoLab 2.1 to offer some superb black and white rendering options, though it is an additional purchase.
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